
Entrée du cortège royal à l'Exposition
1897

Representation Score
Minimal
1897
Director
Alexandre Promio
Runtime
1 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This early documentary short serves as a historical record of Swedish urban life in 1897. It provides a glimpse into the social norms of the era rather than challenging them. The footage lacks the structure needed to explore complex themes of identity or systemic issues. It is a silent, observational clip focused on movement and spectacle. Overall, the work reflects the traditional social, racial, and gendered hierarchies of the late 19th century, without engaging with modern approaches to diversity.
Category Breakdown
The film does not show any non-straight identities or queer stories. It follows the assumption that everyone is straight or cisgender.
The film shows men and women together but does not explore women's roles or control over their lives. It captures women in public spaces without delving into their experiences.
The crowd in the film seems mostly made up of people of European descent, reflecting the demographic of a Swedish exhibition in the late 19th century. There is no sign of people from different racial backgrounds.
The film highlights the achievements of Western industry and culture during a World Exhibition. It documents the status quo of the time without questioning it.
The film does not show any characters with physical or neurological differences. It focuses on the movement of a typical public crowd.
Present on Screen
Limited or Absent
Official Synopsis
A view of the entrance to the Stockholmsutställlningen, the World Exhibition in Stockholm.

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