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Eyes of the Mothman

Name: Eyes of the Mothman
Director: Matthew J. Pellowski
Released: 2011
Duration: 155 min

Representation Score

2.0/10

Limited

2011

Director

Matthew J. Pellowski

Runtime

155 minutes

Average Rating

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New Showbiz Analysis

Eyes of the Mothman primarily explores regional mythos and historical reenactment. Its main goal is examining folklore rather than deconstructing social hierarchies or multi-layered identities. The 1966 West Virginia setting suggests a traditional, potentially homogeneous cast, limiting diverse racial or cultural perspectives. The film prioritizes supernatural encounters over diverse representation.

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Category Breakdown

Does Eyes of the Mothman have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or stories about non-assuming gender matches what was assigned at birth identities. It focuses solely on a group of friends in a 1966 setting.

How does Eyes of the Mothman portray gender?

Fair

The gender composition of the four friends is not specified. There is no indication of gendered power dynamics or challenges to traditional hierarchies.

How racially and ethnically diverse is Eyes of the Mothman?

Limited

Set in 1966 West Virginia, the film likely reflects the demographic homogeneity of that era. There is no sign of diverse character roles or casting that varies from typical expectations.

How does Eyes of the Mothman represent religion and culture?

Fair

The documentary delves into regional folklore and local history. It examines supernatural encounters and abandoned industrial sites without focusing on institutional or religious narratives.

Does Eyes of the Mothman include disability representation?

Minimal

There is no evidence of characters with visible or invisible disabilities. Disability is not used as a narrative device in this folklore exploration.

Present on Screen

Engages deeply with regional folklore and local West Virginian history.
Focuses on a specific historical/supernatural event.

Limited or Absent

Lacks intentionality regarding multi-layered identities or diverse character roles.
Does not address or challenge traditional social or gender hierarchies.
Shows no representation of LGBTQ+ or disability-related narratives.

Official Synopsis

In 1966 West Virginia, four friends encounter a tall, winged creature in the woods surrounding an abandoned dynamite factory.

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