
Gas! -Or- It Became Necessary to Destroy the World in Order to Save It.
1970

Representation Score
Limited
1960
NRDirector
Roger Corman
Runtime
71 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Last Woman on Earth is a fascinating relic of 1960s science fiction. It stands out by placing a woman in a position of absolute autonomy within a post-apocalyptic landscape, subverting traditional gender roles. However, the film is constrained by the demographic norms of its time, lacking meaningful racial, LGBTQ+, or disability representation. While it offers a thoughtful critique of the military-industrial complex and nuclear proliferation, these themes do not compensate for the lack of diverse representation.
Category Breakdown
The film does not depict any non-binary gender identities or same-sex relationships. It focuses solely on heterosexual relationships and traditional gender roles.
Rita challenges the damsel in distress stereotype by showing independence and self-reliance. Although male characters later revert to traditional roles, Rita initially drives the plot alone.
The cast is mostly white, reflecting the demographics of 1960s American cinema. The isolated setting does not allow for a diverse range of characters.
The story critiques mid-century geopolitical structures and nuclear proliferation. It examines the existential void caused by the breakdown of religious and governmental institutions.
There is no significant depiction of physical or cognitive disabilities. Characters are defined solely by their physical abilities needed for survival.
Present on Screen
Limited or Absent
Official Synopsis
Harold Gern, a shady businessman from New York, is spending a holiday in Puerto Rico with his attractive wife Evelyn. They are joined by Martin Joyce, Harold's lawyer, who has come to discuss the latest indictment. Harold invites him along on a boat trip during which all three try out some newly bought scuba diving equipment. When they resurface, they find out that the world has changed forever.

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