My Son Is a Criminal
1939

Representation Score
Minimal
1937
ApprovedDirector
Ford Beebe
Runtime
69 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Trouble at Midnight is a standard genre piece that adheres to the rigid social and cinematic constraints of 1937. The plot follows a predictable trajectory of a veteran entering the dairy business and facing financial hardship. Representation is limited to traditional archetypes, reinforcing established social hierarchies and conventional narrative structures. Ultimately, the film reflects a singular, homogeneous worldview common to B-movie Westerns of the era.
Category Breakdown
The film focuses on a conventional romantic relationship between Kirk Cameron and Catherine. There are no representations of LGBTQ+ identities or narratives that challenge traditional assumptions about sexuality and gender.
Catherine primarily serves as the romantic interest and emotional support for the male protagonist. The story centers on Cameron's struggle against his creditor, highlighting the traditional gender roles of the time.
The story revolves around a white protagonist, antagonist, and love interest. It depicts Western life through a predominantly Anglo-Saxon lens, typical of 1937.
The narrative upholds traditional Western values related to property, debt, and courtship. The conflict is portrayed as a personal struggle against a specific individual, rather than a critique of broader institutions.
There are no visible or invisible disabilities mentioned or depicted in the character descriptions provided.
Present on Screen
Limited or Absent
Official Synopsis
Noah Beery Jr. stars as Kirk Cameron in the modern-day western Trouble at Midnight. Freshly discharged from WWI, Cameron goes into the dairy-farming business, only to be hounded by his chief creditor, flint-hearted banker Everett Benson (Charles Halton). Despite his uncharitable feelings for Benson, Cameron falls in love with Catherine (Catherine Hughes), the banker's daughter.
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