
Mind and Machine
2017

Representation Score
Good
2020
Director
Nan Zhang
Runtime
91 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Almost Human is a genre-driven exploration of identity theft and technological anxiety. It questions the stability of the human persona through science fiction clichés. The film deconstructs the concept of personhood, presenting identity as a manipulatable construct rather than a biological certainty. However, it lacks broad demographic representation, focusing on its specific cultural context and using themes of artificiality as plot mechanics rather than tools for social commentary on disability or queer identity.
Category Breakdown
The film centers on a romantic relationship involving a man, a woman, and a robot. While it explores non-human identity through technology, it does not explicitly represent queer or non-cisgender identities.
The robot assumes a female identity, challenging traditional feminine roles. However, the story is primarily driven by a male-centric mystery.
The film lacks diversity in its cast and setting, focusing on a homogeneous Chinese cultural context.
The narrative challenges traditional social stability by focusing on a mad scientist and autonomous machines. It emphasizes individual desires and technological advancements over conventional values.
The humanoid robot's lack of biological completeness serves as a sci-fi plot device. It does not provide a meaningful exploration of lived physical or neurodivergent experiences.
Present on Screen
Limited or Absent
Official Synopsis
Mad Scientist has privately developed a highly developed humanoid robot with sympathetic nerves to satisfy one's own desires. Unexpectedly, the robot developed its autonomous consciousness. It exchanged the skin of the beautiful woman Su Xin by means of "black technology", and instead lurked beside Su Xin's boyfriend Wang Sheng. On the other side, the bizarre serial murder case has attracted the attention of police officer Li Dongbin, and the danger is quietly brewing...

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