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Obsessed to Death

Name: Obsessed to Death
Director: Stefan Brogren
Released: 2022
Duration: 89 min

Representation Score

4.2/10

Fair

2022

TV-14

Director

Stefan Brogren

Runtime

89 minutes

Average Rating

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New Showbiz Analysis

Obsessed to Death functions as a character-driven psychological study that prioritizes female-centric narratives over traditional male-dominated crime clichés. The plot focuses on the rivalry and obsession between Cassie and Summer, providing a departure from standard genre archetypes. While the casting suggests a level of ethnic diversity, the narrative architecture remains focused on individual psychological obsession. It lacks the systemic or multi-layered critiques necessary to move beyond a standard genre thriller. The film operates within conventional thriller expectations rather than actively disrupting established social or cultural hierarchies.

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Category Breakdown

Does Obsessed to Death have LGBTQ+ representation?

Limited

The film highlights psychological tension driven by women, which might hint at queer subtext. However, there is no explicit confirmation of LGBTQ+ identities or same-sex romantic pairings.

How does Obsessed to Death portray gender?

Fair

The story centers on the internal lives and ability to act of Cassie and Summer, challenging traditional male-centric thriller clichés. However, it lacks a deeper subversion of gender hierarchies.

How racially and ethnically diverse is Obsessed to Death?

Fair

The top-billed cast includes a multi-ethnic ensemble, such as Beverley Cheng. However, race does not appear to be a central driver of the plot or a source of multi-layered depth.

How does Obsessed to Death represent religion and culture?

Fair

The narrative explores social comparison and the fitness industry, potentially critiquing modern beauty standards. It does not offer a systemic critique of religion or traditional family structures.

Does Obsessed to Death include disability representation?

Minimal

There is no discernible mention of neurodivergence, mental health conditions, or physical disabilities being utilized as central narrative elements in the story.

Present on Screen

The film centers on the psychological complexities and ability to act of its women.
The ensemble cast includes diverse actors like Beverley Cheng.
The plot offers a departure from traditional male-centric thriller clichés.

Limited or Absent

The narrative lacks explicit confirmation of queer identities or non-straight pairings.
There is no significant multi-layered depth or race-driven storytelling.
The film does not engage in systemic critiques of cultural or religious institutions.

Official Synopsis

After Cassie is ghosted by Austin for beloved cycling instructor Summer, Cassie becomes fixated on Summer, who is everything she is not.

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