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As You Like It

As You Like It

Representation Score

5.1/10

Fair

1978

TV-14

Director

Basil Coleman

Runtime

151 minutes

Average Rating

No ratings yet

New Showbiz Analysis

This 1978 adaptation of Shakespeare's comedy delves into themes of identity fluidity and the subversion of social hierarchies. The narrative's strength lies in its exploration of gender expression and the empowered role of Rosalind. However, the film adheres closely to the casting standards of its time, lacking racial diversity. Its focus on traditional Anglo-Saxon casting limits its broader impact. While it critiques institutional power through its pastoral setting, it remains within the conventional social norms of the era.

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Category Breakdown

Does As You Like It have LGBTQ+ representation?

Fair

The film explores cross-dressing as a means for survival and empowerment for Rosalind. Her actions highlight the importance of gender expression in navigating challenging situations.

How does As You Like It portray gender?

Good

Rosalind challenges traditional gender roles by showing strong intellectual and strategic abilities. By adopting a male persona, she drives the plot forward and resolves conflicts.

How racially and ethnically diverse is As You Like It?

Limited

The film follows typical 1970s casting practices, with no indication of actors portraying characters outside their own ethnicity. This results in a predominantly white cast.

How does As You Like It represent religion and culture?

Good

The story contrasts the corrupt court with the communal life of the forest. This setting serves as a metaphor for breaking down rigid social structures.

Does As You Like It include disability representation?

Minimal

There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities in this production.

Present on Screen

  • Effective use of cross-dressing to explore gender expression and empowerment.
  • Rosalind's strong character drives both romantic and social resolutions.
  • Critique of rigid, corrupt institutions through the pastoral setting.

Limited or Absent

  • Limited racial and ethnic diversity in casting.
  • Follows traditional, homogeneous casting norms of the 1970s.
  • No representation of physical or neurodivergent disabilities.

Official Synopsis

Orlando is forced to work like a servant for his brother Oliver, so he goes to win his fortune in a wrestling contest, where he meets a lady of the court, Rosalind. Rosalind (daughter of the deposed duke) is companion to Celia, niece of the deposed Duke, and when the current duke banishes Rosalind from the kingdom, she, Celia, the court jester (and incidentally Orlando) all end up in the forest or Arden, where the deposed Duke holds court. Romantic mixups, cross-dressing, love poems nailed to trees, and a lion await them all.

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