The film contains no evidence of LGBTQ+ characters or narratives. It appears to adhere to the social constraints of 1971 without exploring non-heteronormative identities.

Female characters like Flight Attendant Ok-Soon provide presence within the cabin. However, leadership and crisis management remain predominantly male-coded, centered on the pilot and captain.

The cast is culturally homogeneous, reflecting the historical reality of 1971 South Korea. This provides authenticity to the setting rather than seeking to disrupt ethnic norms.

The story focuses on institutional duty and professional responsibility during a historical crisis. It leans toward traditional heroism rather than offering specific cultural or anti-capitalist critiques.

There is no documented evidence of characters with visible or invisible disabilities. No such characters are utilized as central points of agency in the narrative.