
The Prototype
2022

2018
TV-MADirector
Eric Zaragoza
Runtime
89 minutes
Average Rating
No ratings yetSynopsis
The International Space Station is now a prison - the ultimate black site. No one's getting out. And no one knows it's there. But when the imprisoned terrorists take over the Station and turn it into a missile aimed at Moscow, only a shuttle pilot and a rookie doctor can stop them. Their task is complicated by a rogue CIA agent (Scott Adkins) who has his own plans for the station and the terrorists within.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on a high-stakes mission involving a pilot, a doctor, and a CIA agent. There is no evidence of non-cisnormative gender identities or narratives addressing heteronormativity.
Gender Representation
The plot utilizes traditional thriller archetypes. While a rookie doctor suggests female presence, the primary drivers occupy roles traditionally associated with masculine competence and aggression.
Racial & Ethnic Diversity
The setting involves an international conflict between Moscow and the CIA. However, the narrative does not provide evidence of a non-white majority cast or race-bent casting.
Religious & Cultural Diversity
The film adheres to Western thriller structures centered on state-level conflict. It prioritizes geopolitical stability and institutional power dynamics over cultural deconstruction.
Disability Representation
There is no mention of characters possessing visible or invisible disabilities. The synopsis lacks evidence of neurodivergent representation.
Strengths
Areas for Improvement
AI Analysis
Incoming operates as a conventional genre piece within the action-thriller spectrum. The narrative architecture is built around established tropes of espionage and geopolitical crisis, prioritizing kinetic storytelling over social exploration. The film lacks the intentionality required to disrupt social hierarchies or integrate intersectional identities into the core plot. It remains focused on high-stakes tension and the mechanics of a thriller. Ultimately, the work centers on traditional power dynamics and Western institutional norms rather than the subversion of systemic identity politics.

2022

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