The film lacks explicit LGBTQ+ characters or non-heteronormative romantic arcs. Character dynamics focus on scientific cooperation and functional utility. While there is no active harm or derogatory tropes, there is no active representation.

Leadership and the central plot catalyst are male-centric, maintaining a traditional hierarchy. However, the film avoids submissive femininity through characters like Kohaku, who displays significant combat proficiency and physical agency.

The cast is ethnically homogeneous, consistent with the medium of Japanese animation. The narrative does not utilize intentional racial intersectionality or diverse ethnic identities within its post-petrification setting.

The story operates outside established religion and patriotism due to the erased 'old world.' It emphasizes secular humanism and scientific individualism, though it mirrors capitalist expansionism through the protagonist's drive.

There is no significant focus on visible or invisible disabilities. Characters are defined by their physical utility and specialized skills rather than integrated depictions of neurodivergence or physical impairment.