
Aces Go Places II
1983

1984
Director
Tsui Hark
Runtime
96 minutes
Average Rating
No ratings yetSynopsis
While vacationing in Paris, King Kong is kidnapped by a British agent called James, who seeks to recover one of the stolen crown jewels, the Star of Fortune, supposedly at the request of the Queen of England. The jewel is hidden at the Hong Kong Police Headquarters and Kong will have to steal the jewel without his partner-in-crime, Detective Albert 'Baldy' Au, finding out. When James' devious intentions are revealed and Baldy and his wife, Supt. Nancy Ho, discover Kong's heist, Kong finds himself at a crossroad.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on the comedic partnership between two male leads. There is no evidence of non-cisnormative identities or narratives that critique heteronormativity.
Gender Representation
A traditional gender hierarchy exists, centering on male-driven slapstick and action. While Supt. Nancy Ho holds professional authority, primary agency remains with the male protagonists.
Racial & Ethnic Diversity
The cast is predominantly Cantonese-speaking, reflecting its Hong Kong production roots. Despite an international espionage plot, the cast remains largely homogeneous within its regional context.
Religious & Cultural Diversity
The story blends Western espionage tropes with Hong Kong sensibilities. It uses Western institutions as colorful backdrops for adventure without overtly critiquing them.
Disability Representation
There are no visible or invisible disabilities portrayed as central to the narrative or character agency.
Strengths
Areas for Improvement
AI Analysis
Aces Go Places III is a genre-driven action-comedy that prioritizes entertainment and comedic chemistry over social critique. The narrative relies heavily on established buddy-cop and espionage tropes, which emphasize traditional masculine archetypes. While the film includes a female superintendent, providing a minor subversion of professional roles, it largely operates within the conventional social and power dynamics of the 1980s. The work focuses on local star power and kinetic action rather than deconstructing identity hierarchies.

1983

1982

1985

1996

1999

1991

1984

1982

1989

1966

1985

1990
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.