
That Old Feeling
1997

2011
GDirector
David Christiaan
Runtime
97 minutes
Average Rating
No ratings yetSynopsis
A roller coaster ride of love, emotions and comedy Jeff Fahey (LOST, MACHETE), Reginald Vel Johnson (Family Matters, DIE HARD), and Victoria Jackson (Saturday Night Live, BABY BOOM) star in this funny, heartfelt story about the difficulties many marriages face and the simple solution. A trio of unhappily married couples head to a mountain retreat where they are subjected to unorthodox and seemingly comical methods by the Dr. Sullivan (Fahey) and his wife Katrina (Jackson). As the couples struggle through the program for marital bliss, they soon discover it’s not “What” they are missing from their lives but “Who”, Jesus.
Overall Score
Minimal
Category Breakdown
LGBTQ+ Representation
The film focuses exclusively on heteronormative marital structures. There is no presence of non-cisnormative gender identities or same-sex intimacy within the narrative.
Gender Representation
The story reinforces traditional gender hierarchies and domestic roles. It portrays the preservation of the nuclear family and conventional leadership as the primary objectives.
Racial & Ethnic Diversity
The cast appears to be a homogeneous group focused on a specific cultural and religious demographic. There is no indication of a multi-ethnic ensemble.
Religious & Cultural Diversity
The narrative serves as a critique of secularism by promoting a singular Christian morality. It positions religious faith as the essential solution to interpersonal dysfunction.
Disability Representation
There is no information available regarding the inclusion or portrayal of characters with physical or neurodivergent disabilities.
Strengths
Areas for Improvement
AI Analysis
Marriage Retreat is a faith-based production designed to reinforce conservative moral frameworks and traditional social structures. The narrative architecture prioritizes the sanctity of heterosexual unions and the stability of the nuclear family over social subversion. Because the film functions as a critique of modern secularism, it centers on absolute spiritual truths rather than diverse social perspectives. This results in a highly homogeneous presentation of culture, race, and identity. The film's purpose is community-centric, aiming to uphold established religious and familial hierarchies rather than challenging them.

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