Deadly Switch
2019
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Diversity score: 5.2 out of 10
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The Perfect Girlfriend
2015
TV-14Director
Curtis Crawford
Runtime
85 minutes
Average Rating
No ratings yetSynopsis
When Brandon leaves NYC to take a promotion in Portland, he also leaves behind his girlfriend of five months named Jensyn. The couple decide to try a long distance relationship, but when Brandon's co-worker Simone takes a liking to him, it's not just the distance that puts a strain on their future. Simone impersonates Jensyn, taking over her rival's identity, and continues the relationship until she can convince him that Jensyn isn't the girl for him after all...
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Diversity & Representation
Overall Score
3.6/10
Limited
Category Breakdown
LGBTQ+ Representation
The story centers on a heterosexual romantic triad. It lacks non-cisnormative identities or any critique of heteronormativity.
Gender Representation
Female characters drive the plot through identity theft and rivalry. While Simone shows high agency, her intellect is used for predatory purposes rather than progressive ends.
Racial & Ethnic Diversity
The cast reflects a standard Western urban demographic. There is no evidence of a non-white majority or racial intersectionality in the narrative.
Religious & Cultural Diversity
The film follows a standard Western dramatic framework. Conflict is rooted in individual morality rather than critiques of religion or Western institutions.
Disability Representation
The film provides no evidence of characters with physical, sensory, or neurodivergent disabilities.
Strengths
- Female characters demonstrate high agency and strategic intellect through their roles in the plot.
- The narrative explores complex interpersonal dynamics and psychological rivalry.
Areas for Improvement
- The film lacks intersectional representation or non-cisnormative identities.
- The story adheres to traditional tropes without subverting systemic social hierarchies.
- There is no visible inclusion of characters with disabilities.
AI Analysis
The film operates within the established conventions of the domestic thriller genre. It prioritizes individual psychological manipulation and suspense over the disruption of systemic social hierarchies. While the female characters possess significant agency, this power is channeled into character-driven conflict rather than a broader progressive agenda. The narrative remains focused on traditional romantic tropes and interpersonal deception. Ultimately, the production lacks discernible markers of intersectional representation. It functions as a standard genre piece without subverting conventional cultural or social norms.
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