
Schlimmer geht immer
2016

2017
Director
Wolfgang Murnberger
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
With a t-shirt sale the two friends Günther and Wolfgang finally want to turn their backs on unemployment benefits. But this plan is not as easy to implement as expected and in the end, almost everything is different than it initially looks. But one thing is certain: there is always time of a Schnitzel.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film offers no explicit evidence regarding the sexual orientation or gender identity of the protagonists. The narrative focuses primarily on their shared economic struggles.
Gender Representation
The story centers on a male duo navigating professional hurdles. There is no evidence of female characters in positions of social or intellectual dominance.
Racial & Ethnic Diversity
The production suggests a localized, potentially homogeneous setting typical of small-scale European comedies. There is no documented evidence of intersectional casting or diverse ensembles.
Religious & Cultural Diversity
The film provides a critique of economic structures through its focus on unemployment and failed entrepreneurship. It prioritizes social realism over traditional success stories.
Disability Representation
There is no information available regarding the inclusion of characters with visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
Wolfgang Murnberger’s comedy focuses on a grounded, character-driven study of two men attempting to escape unemployment through a small business venture. The film prioritizes social observation and the friction of economic constraints over high-concept spectacle. While the narrative avoids harmful stereotypes, it lacks visible intersectional representation. The focus remains on a traditional male-centric friendship, leaving questions of gender, race, and sexual orientation unanswered by the available narrative details. Ultimately, the film succeeds as a localized study of working-class agency. It trades idealized tropes for a more nuanced, situational look at human struggle and subjective morality.

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