The film follows a strictly heteronormative romantic structure. The plot centers on the courtship between Gnomeo and Juliet, with no same-sex intimacy or non-cisnormative identities present.

Character dynamics largely mirror conventional romantic tropes from the Shakespearean source. While Juliet shows some agency, the film relies on established gender roles to drive its comedic romance.

Traditional markers of human race are absent because the characters are inanimate garden ornaments. Instead, the film uses color-coded affiliations to represent tribalism and factionalism.

The story is a postmodern pastiche set in a suburban kitsch environment. It prioritizes social cohesion and a traditional happy ending over systemic critique or complex cultural themes.

There is no representation of physical, sensory, or neurodivergent disabilities. The characters are depicted as functional, mobile ornaments without any disability-related plot points.