Wrong

The film does not explicitly depict LGBTQ+ identities or narratives centered around non-straight relationships. While the surrealist style challenges social norms, it does not explore queer theory through character development.

Gender hierarchies are sidestepped through an absurdist lens, where interactions between characters like Erann Dewitt and Eva Green follow surreal logic. However, the film does not actively center women's control over the story.

The narrative focuses on a localized, urban experience without a diverse cast or non-Anglo-Saxon majority. It does not utilize diverse ethnic backgrounds to broaden its themes.

The film challenges Western-centric morality by prioritizing situational absurdity over a cohesive moral compass. This commitment to moral relativism serves as a postmodern critique of stable social institutions.

There is no evidence of visible or invisible disabilities being portrayed with real power. The focus on psychological fragmentation is a stylistic choice rather than an exploration of neurodivergence.