The film lacks LGBTQ+ characters and does not explore non-heteronormative identities. The social landscape remains strictly traditional throughout the narrative.

Narrative agency is concentrated in the male protagonist, Arthur Kipps. Female characters function primarily as vengeful specters or maternal archetypes rather than autonomous figures.

The cast is predominantly white and British, reflecting the Edwardian setting. The film avoids diverse casting or any metaphorical use of race.

The story follows traditional Western structures and emphasizes established social hierarchies. It offers no critique of religion or the Western family unit.

There are no depictions of visible or invisible disabilities. Characters are presented through standard lenses of physical health and mental stability.