The film lacks any presence of non-cisnormative identities. Romantic subplots appear to adhere to conventional heteronormative pairings typical of commercial Tamil cinema.

Agency is largely concentrated among the four male protagonists. While the deity Saraswathi is a powerful central figure, female roles primarily serve as romantic foils or secondary characters.

The cast is culturally homogeneous, reflecting its specific regional and linguistic context. It represents South Indian ethnic identity through a localized lens without attempting to subvert ethnic homogeneity.

The narrative is deeply rooted in traditional Hindu frameworks, centering on divine boons and karma. It reinforces religious institutions rather than offering secular or critical perspectives.

There is no evidence of characters with visible or invisible disabilities. The focus remains on supernatural entities and comedic mishaps rather than disability as a narrative element.