Core of the World
2018
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Diversity score: 1.9 out of 10
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We Think the World of You
1988
PGDirector
Colin Gregg
Runtime
92 minutes
Average Rating
No ratings yetSynopsis
An aimless young man, Johnny, is sent prison. He entrusts his beloved dog, Evie, to the care of his former lover and best friend, Frank. When he gets out of prison, he has to face difficulties at home. Added to this, is the fact that he may have to give up Evie to Frank.
Where to Watch
Diversity & Representation
Overall Score
1.5/10
Minimal
Category Breakdown
LGBTQ+ Representation
The film lacks any evidence of LGBTQ+ characters or non-cisnormative identities. The central relationship appears to follow traditional heteronormative tropes.
Gender Representation
The story centers on a male protagonist navigating masculine struggles like incarceration and reentry. While a female character holds responsibility for the dog, her role seems reactionary to the male lead.
Racial & Ethnic Diversity
There is no information regarding the racial or ethnic composition of the cast. The narrative provides no specific evidence of diverse casting or ethnic representation.
Religious & Cultural Diversity
The film explores systemic friction through the lens of the carceral system. It examines the difficulties of reintegrating into society after state intervention.
Disability Representation
The synopsis contains no mention of physical disabilities, neurodivergence, or mental health conditions. There is no visible representation of disability in the narrative.
Strengths
- Explores the systemic friction caused by the carceral system and its impact on individual reintegration.
Areas for Improvement
- Lacks representation of LGBTQ+ identities and non-cisnormative gender expressions.
- Provides no evidence of racial, ethnic, or disability-related diversity.
- The female character lacks independent agency, appearing primarily as a reactionary figure to the male lead.
AI Analysis
We Think the World of You is a character study rooted in traditional 1980s dramatic tropes. The narrative focuses heavily on the personal hardships of a male protagonist, specifically his struggle with incarceration and domestic reintegration. The film lacks intersectional depth, offering no visible representation of LGBTQ+ identities, racial diversity, or disability. The focus remains on individualistic struggles rather than broader social or cultural perspectives. While the film touches on the systemic impact of the prison system, it does so through a narrow, conventional lens that lacks progressive or diverse narrative architecture.
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