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Jakarta vs Everybody

Name: Jakarta vs Everybody
Director: Razka Robby Ertanto
Released: 2020
Duration: 101 min

Representation Score

5.9/10

Fair

2020

Director

Razka Robby Ertanto

Runtime

101 minutes

Average Rating

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New Showbiz Analysis

Jakarta vs Everybody succeeds as a localized critique of urban survival, moving away from Western storytelling clichés. Its primary strength lies in its cultural specificity and its refusal to rely on traditional moralizing structures. The film excels at presenting a Southeast Asian perspective, grounding the crime drama in the specific socio-economic landscape of Jakarta. However, the film lacks depth in other areas of representation. There is no visible focus on disability or explicit LGBTQ+ identities, and gender roles, while subverted, remain tied to a central criminal conflict.

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Category Breakdown

Does Jakarta vs Everybody have LGBTQ+ representation?

Fair

The film features a trio of characters involved in the criminal underworld. There are no explicit queer romantic arcs or non-straight identities that drive the plot.

How does Jakarta vs Everybody portray gender?

Fair

Female characters such as Pingkan are placed in the high-stakes world of drug trafficking. This shifts women into traditionally masculine roles, challenging traditional gender hierarchies.

How racially and ethnically diverse is Jakarta vs Everybody?

Good

The film centers on a localized, non-Western urban experience in Jakarta. By focusing on this setting, it highlights Southeast Asian ability to act and avoids Western-centric homogenization.

How does Jakarta vs Everybody represent religion and culture?

Excellent

The story critiques systemic structures through a lens of moral relativism. It portrays the city as a corrupting force, treating crime with nuance rather than simple condemnation.

Does Jakarta vs Everybody include disability representation?

Minimal

There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities within the narrative.

Present on Screen

Strong cultural specificity that centers a Southeast Asian urban experience.
Avoids Western-centric clichés by focusing on localized socio-economic realities.
Subverts gendered boundaries by placing women in high-stakes criminal roles.

Limited or Absent

Lack of explicit representation for LGBTQ+ identities or queer narratives.
No discernible inclusion or portrayal of characters with disabilities.
Limited exploration of diverse identities beyond the central triad.

Official Synopsis

Dom came to Jakarta with a hope of becoming an actor. His encounter with Pingkan and Radit brings him deep into the labyrinth of drug trafficking. Will he abandon his dream?

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