The film lacks any discernible non-heteronormative gender identities or same-sex narratives. It adheres to the traditional romantic and social structures common in 1970s adventure cinema.

Female characters exist within the passenger and crew dynamics but primarily occupy roles defined by their relationship to male protagonists. There is no significant evidence of women driving the plot through agency.

The Caribbean setting allows for a diverse cast of passengers, yet race is not a central thematic element. The film lacks high-agency characters of color or intentional intersectional storytelling.

The narrative prioritizes plot-driven suspense over ideological critique or the deconstruction of Western institutions. It treats the central mystery as a supernatural phenomenon rather than a systemic failure.

There are no prominent depictions of visible or invisible disabilities. Characters are defined almost exclusively by their roles as travelers or investigators within the horror genre.