
Governance
2021

Representation Score
Fair
2020
Director
Sabine Boss
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film serves as a character-driven psychological thriller that uses a corporate environment to explore individual disintegration. The narrative prioritizes professional hierarchy and personal revenge over multi-layered identity or the subversion of social norms. Because the story focuses on a specific power struggle between two male figures, it lacks significant demographic breadth. The themes are deeply personal and individualistic, centering on the erosion of a single man's existence rather than broader social representation.
Category Breakdown
The main storyline revolves around a professional power struggle between two men, without showing any LGBTQ+ identities or non-straight relationship structures.
The central conflict is presented through a traditional masculine perspective, focusing on corporate hierarchy and revenge. The story emphasizes male-driven ability to act and professional rivalry over diverse gendered viewpoints.
The setting and character names suggest a predominantly Western or Germanic cultural context. The focus on a long-established company implies a potentially homogeneous institutional structure.
The film examines the psychological impact of perfectionism and institutional corruption as personal struggles rather than systemic critiques.
The protagonist faces psychological self-abandonment and mental strain, but there is no confirmed portrayal of characters with disabilities having specific ability to act.
Present on Screen
Limited or Absent
Official Synopsis
As CFO, Alexander Meier fights for the survival of the long-established Walser company – dutifully, quickly and perfectionist to the point of self-abandonment. When Hans-Werner Brockmann, an unscrupulous top manager, is appointed, he gets involved in a power struggle that increasingly throws him off track. Before the ruins of his existence, Alexander sees only one possibility left to take revenge on Brockmann.

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