The film lacks prominent LGBTQ+ characters or explorations of non-cisnormative identities. The narrative focuses on the insect colony's performance of a traditional nuclear family instead.

Gender is presented through a postmodern lens, using 1950s domestic roles as a hollow artifice. The film disrupts traditional hierarchies by framing these roles as a calculated mask for a predatory collective.

The setting maintains a predominantly white, Anglo-Saxon suburban aesthetic. While the insects originate from South America, this serves as a biological plot device rather than a nuanced exploration of ethnic identity.

The film offers a sharp critique of Western institutional ideals and the American Dream. It deconstructs the suburban nuclear family as a performative facade used to mask systemic predation.

There is no discernible representation of physical, neurodivergent, or sensory disabilities. Characters are defined solely by their biological insect status and their roles as social con artists.