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Red Obsession

Red Obsession

Representation Score

2.4/10

Limited

2013

Not Rated

Director

Warwick Ross, David Roach

Runtime

75 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Red Obsession functions primarily as a socio-economic study of a luxury commodity rather than a social commentary. It focuses on observational journalism regarding the tension between European tradition and modern Asian consumerism. While the film successfully incorporates a global economic perspective by highlighting the Chinese market, it does not aim to challenge systemic power dynamics. Instead, it maintains a focus on preserving established cultural heritage without attempting to deconstruct social norms or traditional hierarchies.

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Category Breakdown

Does Red Obsession have LGBTQ+ representation?

Minimal

The documentary focuses solely on the technical and economic aspects of the wine trade and does not include any LGBTQ+ characters or narratives about non-assuming gender matches what was assigned at birth identities.

How does Red Obsession portray gender?

Fair

The film includes both men and women in various roles, from manual labor to estate ownership. However, it does not challenge traditional gender hierarchies within the industry.

How racially and ethnically diverse is Red Obsession?

Fair

The documentary highlights the economic exchange between French viticulture and Chinese consumers, particularly through the inclusion of Shanghai's market dynamics, providing a global perspective.

How does Red Obsession represent religion and culture?

Fair

The narrative emphasizes the preservation of Western heritage and Bordeaux's rich history, treating Western traditions as foundational without subjecting them to social critique.

Does Red Obsession include disability representation?

Minimal

The film does not feature any subjects with visible or invisible disabilities. It also does not address neurodivergence or physical disabilities within the wine industry.

Present on Screen

  • Provides a meaningful cross-cultural perspective by focusing on the economic intersection between France and China.
  • Offers a globalized view of the economy through the lens of international wine demand.

Limited or Absent

  • Lacks intentionality in challenging traditional gender roles or social hierarchies.
  • Does not address disability, neurodivergence, or LGBTQ+ identities within the industry context.
  • Maintains a narrow focus on Western heritage and established institutional structures.

Official Synopsis

France’s Bordeaux region has long commanded respect for its coveted wine, but shifts in the global marketplace mean that a new, voracious consumer base in China is buying up this finite product. Bordeaux both struggles with and courts the spike in demand, sending prices skyrocketing. Narrated by Russell Crowe, Red Obsession is a fascinating look at our changing international economy and how an obsession in Shanghai affects the most illustrious vineyards in France.

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