You are here:

Atlantide

Name: Atlantide
Director: Yuri Ancarani
Released: 2022
Duration: 104 min

Representation Score

3.7/10

Limited

2022

Director

Yuri Ancarani

Runtime

104 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Atlantide serves as a specialized ethnographic study of a localized subculture in the Venice Lagoon. It prioritizes environmental and social commentary over broad demographic representation, focusing instead on the tension between individual ambition and systemic decay. The film deconstructs traditional masculine arcs by presenting the pursuit of speed and dominance as a cycle of ecological and social decline. While it lacks multi-layered breadth, it provides progressive depth through its critique of modern capitalist impulses. Ultimately, the work is a reflective exploration of a specific cultural enclave, trading diverse casting for a deep dive into the erosion of a traditional way of life.

Watch this, not that →

Category Breakdown

Does Atlantide have LGBTQ+ representation?

Fair

The film centers on a male-dominated subculture focused on motorboat racing. There are no explicit LGBTQ+ characters or narratives highlighting non-straight relationships.

How does Atlantide portray gender?

Fair

The story revolves around traditional masculine initiation rites and hierarchies. It does not introduce diverse gender roles or elevate the role of women in the narrative.

How racially and ethnically diverse is Atlantide?

Limited

The film examines a homogeneous community in the Venice Lagoon. It emphasizes a specific geographic identity rather than a broader, multi-ethnic population.

How does Atlantide represent religion and culture?

Good

The movie critiques the 'cult of the barchino' and destructive mechanical obsessions. It highlights how these impulses harm environmental stability and local heritage.

Does Atlantide include disability representation?

Minimal

There is no specific mention of physical or neurodivergent disabilities in the film.

Present on Screen

Provides a critical look at the destructive consequences of traditional masculine achievement.
Offers a deep cultural insight into the specific traditions of the Venice Lagoon.
Effectively explores the intersection of individual ambition and environmental decay.

Limited or Absent

Lacks multi-layered breadth by focusing almost exclusively on a homogeneous, male-dominated community.
Does not represent LGBTQ+ identities or diverse gender roles.
Does not feature a multi-ethnic cast or diverse racial perspectives.

Official Synopsis

Daniele is a young man from Sant’Erasmo, an island on the edges of the Venice Lagoon. He lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat). This obsession focuses on the building of ever more powerful engines to transform the little lagoon launches into dangerously fast racing boats. Daniele too dreams of a record-breaking barchino, one that will take him to the top of the leader board, but everything he does to further his dream and win respect from the others turns out to be tragically counterproductive. The decline that erodes the relationships, environment and habits of a rootless generation is observed from the timeless perspective of the Venetian landscape and its island outskirts: the point of no return is a foolish, vestigial tale of male initiation. Violent and destined to fail, it explodes dragging the ghost city along on a psychedelic shipwreck.

How are these scores produced? →