The film lacks explicit depictions of LGBTQ+ identities. The plot focuses on the social dynamics and survival of the animal community rather than non-heteronormative romantic arcs.

Gender hierarchies are disrupted by centering the story on community organization and survival. The absence of traditional patriarchal leadership allows for a more fluid distribution of agency.

Species serve as a metaphor for marginalized identities. The narrative reframes the 'pest' trope into a story of self-determination for socioeconomic and ethnic outcasts.

The film presents a strong anti-capitalist subtext. It celebrates communal agency and the rejection of human-imposed authority in favor of self-sustained, independent existence.

There is no prominent focus on visible or invisible disabilities. Characters are defined by their species and social hierarchy rather than physical or neurodivergent identities.