You are here:

That Girl's Captives of Love

Name: That Girl's Captives of Love
Director: Ryo Miyawaki
Released: 2018
Duration: 99 min

Representation Score

3.3/10

Limited

2018

Director

Ryo Miyawaki

Runtime

99 minutes

Average Rating

No ratings yet

New Showbiz Analysis

That Girl's Captives of Love follows a conventional romantic comedy structure. It employs the familiar cliché of childhood friends reuniting to challenge established social hierarchies. The narrative centers on the intersection of fame and personal connections. While the film highlights the professional independence of female characters, the overall story remains focused on the male protagonist's experiences. The narrative does not significantly challenge traditional social norms. Ultimately, the film lacks the complexity needed to explore diverse identities or systemic issues. It adheres to a standard genre format with limited representation of varied backgrounds.

Watch this, not that →

Category Breakdown

Does That Girl's Captives of Love have LGBTQ+ representation?

Limited

The film features a traditional love triangle involving Yori, Shizuku, and Subaru. There is no indication of queer characters or relationships that challenge traditional norms.

How does That Girl's Captives of Love portray gender?

Fair

Shizuku and Subaru are portrayed as independent professionals in the entertainment industry. However, the central storyline revolves around the male protagonist's journey back into society.

How racially and ethnically diverse is That Girl's Captives of Love?

Limited

Set in Japan, the film portrays a culturally homogeneous environment. There is no representation of multi-ethnic diversity within the cast.

How does That Girl's Captives of Love represent religion and culture?

Fair

The story delves into themes of social status and the entertainment industry. It does not address traditional family structures or systemic power dynamics.

Does That Girl's Captives of Love include disability representation?

Minimal

There are no characters with visible or invisible disabilities in the narrative. No information is available regarding this category.

Present on Screen

Female characters Shizuku and Subaru exhibit professional independence and success in the entertainment industry.

Limited or Absent

The narrative lacks characters or relationships that challenge traditional sexual or gender norms.
The film focuses on a culturally homogeneous setting without multi-ethnic diversity.
The central storyline relies on traditional gendered clichés centered around the male protagonist.

Official Synopsis

Centers on three childhood friends in a love triangle. Yori moved back to the countryside, and started wearing glasses and not being noticed by girls. Meanwhile, Shizuku entered the entertainment industry alongside Subaru, and both began working as a model and actor, respectively. But when Yori turns 16, he re-enters their lives.

How are these scores produced? →