The romance centers on non-human entities, bypassing heteronormative human frameworks. This subtextual focus on a non-cisnormative pairing offers a meaningful departure from conventional romantic tropes.

By featuring an automaton and a straw construct, the film avoids traditional gender hierarchies. It shifts the focus from biological sex to existential connection and emotional companionship.

Explicit racial identifiers are absent due to the non-human protagonists. However, the film uses non-human species as a metaphorical tool to represent identities outside dominant frameworks.

The post-apocalyptic setting critiques human-centric institutions like religion and capitalism. This creates a space for organic connections outside of traditional Western social orders.

The characters' mechanical and inanimate physicalities can be viewed through the lens of physical difference. Their unique sensory limitations are presented as fundamental aspects of their identity.