
I.D.
2012

Representation Score
Excellent
2010
Not RatedDirector
Kiran Rao
Runtime
102 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Kiran Rao’s debut is a sophisticated study of social realism that prioritizes class struggle and urban alienation. It succeeds by breaking down traditional hierarchies and presenting nuanced, flawed characters rather than idealized archetypes. The film excels in its portrayal of gender ability to act and its critique of systemic social divides. By focusing on the unvarnished reality of underrepresented groups, it offers a complex view of Mumbai's stratified society. However, the narrative remains limited by its focus on traditional heterosexual relationships and its lack of explicit representation for LGBTQ+ individuals or those with visible disabilities.
Category Breakdown
The film centers on traditional heterosexual relationships and marriage. It does not include characters with non-binary gender identities or explicit LGBTQ+ storylines.
Female characters have significant roles in driving the story and making decisions. The film highlights their autonomy and challenges stereotypes of submissive femininity.
The movie looks at the intersection of class and ethnicity in urban India. It avoids monolithic portrayals by showing both working-class and middle-class life experiences.
The story critiques the alienation caused by urbanization and capitalism. It presents a multifaceted view of society, avoiding idealized or Westernized representations.
The film does not focus on physical or neurodivergent disabilities. Instead, it explores metaphorical vulnerability through emotional and social fragmentation.
Present on Screen
Limited or Absent
Official Synopsis
Arun is a reclusive and lonely modern art painter. Shai is an American banker who is on a visit to Mumbai. Munna is a washerboy also living near Arun and Yasmin. The movie is about these four characters from different class of society and how the lives of four characters are intertwined.

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