
The End
2012

Representation Score
Fair
2009
Not RatedDirector
Conor Horgan
Runtime
85 minutes
Average Rating
No ratings yetNew Showbiz Analysis
One Hundred Mornings is a character-driven study of social entropy. It focuses on the psychological disintegration of small groups when the scaffolding of modern civilization is stripped away. The film prioritizes the deconstruction of systemic norms and the friction of conflicting ideologies over overt demographic variety. The narrative succeeds in questioning the social contract and the fragility of traditional institutions. By removing technology and governance, it forces a confrontation with subjective morality and shifting power dynamics. However, the film lacks explicit evidence of diverse casting that reflects multiple aspects of identity. The focus remains heavily on the psychological tension between established couples and their immediate neighbors rather than broader social representation.
Category Breakdown
The story revolves around two couples and hints at an affair, but does not explicitly confirm any queer identities.
The film examines traditional gender roles by placing characters in a survival situation. The breakdown of the group suggests a challenge to established masculine leadership.
As an Irish production, the film does not show significant non-white representation. The plot emphasizes psychological conflict between characters rather than racial diversity.
The story critiques Western institutions by showing a total societal collapse. A hippie neighbor introduces counter-cultural elements that challenge the characters' dominant worldviews.
There is no indication that visible or invisible disabilities play a central role in the character arcs or plot mechanics.
Present on Screen
Limited or Absent
Official Synopsis
In a world upended by a complete breakdown of society, two couples hide out in a lakeside cabin hoping to survive the crisis.

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