
The Call Centre
2020

Representation Score
Fair
2009
TV-MADirector
Adam Wimpenny
Runtime
16 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Roar is a localized psychological drama that prioritizes individual struggle over broader social critique. It finds some success in subverting traditional masculine dominance through the friction between Mick and Eva, but remains limited in scope. The film lacks broad multi-layered breadth, focusing instead on specific interpersonal dynamics within a Western urban setting. While the Soho setting offers potential for social nuance, the actual representation of diverse identities is minimal. Ultimately, the narrative functions as a character study of desperation. It lacks the intentional demographic complexity or diverse casting required to move beyond a narrow, traditional character ensemble.
Category Breakdown
The film focuses on Tom's isolation and failed emotional connections. Set in the historically queer Soho, there is no explicit depiction of non-straight relationships or intimate moments between LGBTQ+ individuals.
The story creates tension between Mick's intrusive masculinity and Eva's active role. Eva resists Mick's unwelcome behavior, challenging the cliché of the charismatic rogue by showing his actions as abrasive.
The narrative centers on a small group of characters in London. There is no explicit evidence of a non-white majority cast or intentional racial blending within the ensemble.
Themes of social alienation and paternal estrangement drive the plot. The film prioritizes individual psychological struggle over traditional family stability or religious morality.
The film provides no information regarding characters with visible or invisible disabilities, neurodivergence, or chronic health conditions.
Present on Screen
Limited or Absent
Official Synopsis
London. It's Christmas. Tom is a timid loner who cuts keys in a dry-cleaners in Soho. He's dominated by his extroverted boss, Mick, who habitually cracks on to his female clientele. One customer, Eva, is particularly unimpressed by Mick's behaviour. When Tom tries to apologise, she gives him the cold shoulder. Wanting emotional contact, Tom tries unsuccessfully to call his estranged father. Desperate, Tom takes drastic action.

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