The film lacks visible LGBTQ+ characters or non-cisnormative identities. The narrative focuses on a central romantic dynamic that adheres to traditional heteronormative structures.

Female characters participate in the survival narrative but do not significantly disrupt traditional gender hierarchies. Their arcs primarily serve the central romantic and survivalist plotlines.

The production features a predominantly Cantonese/Hong Kong Chinese cast. This reflects the localized setting and maintains a consistent regional identity without Western-centric casting.

The film explores a breakdown of social order through survival horror and dark comedy. It does not explicitly promote secularism or anti-Western ideologies as a central thesis.

The zombie condition serves as a metaphor for contagion and loss of agency. However, the film does not use disability for meaningful character depth or nuanced representation.