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17 a mezzanotte

Name: 17 a mezzanotte
Director: Roberto Albanesi, Simone Chiesa, Giacomo Gabrielli, Francesco Longo, Daniele Misischia, Davide Pesca, Federico Scargiali, Edo Tagliavini
Released: 2015

Representation Score

0.0/10

Minimal

2015

Director

Roberto Albanesi, Simone Chiesa, Giacomo Gabrielli, Francesco Longo, Daniele Misischia, Davide Pesca, Federico Scargiali, Edo Tagliavini

Average Rating

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New Showbiz Analysis

This anthology horror film presents a significant lack of detailed information about its representation of diverse characters. While the seventeen-segment structure theoretically allows for varied character types, the specific narrative arcs remain unspecified. Without clear details on character's ability to drive the story, it is difficult to assess if the film challenges traditional genre clichés. The diverse cast names suggest potential, but the actual narrative impact of these identities is not established. Ultimately, the film operates as a collection of short stories that currently lacks any documented commitment to progressive representation.

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Category Breakdown

Does 17 a mezzanotte have LGBTQ+ representation?

Minimal

The film does not include any documented evidence of characters with non-binary gender identities. It also lacks narratives that challenge the assumption that everyone is straight or cisgender.

How does 17 a mezzanotte portray gender?

Minimal

It is unclear if the female characters play a significant role in driving the story. The film does not provide evidence of challenging traditional gender roles.

How racially and ethnically diverse is 17 a mezzanotte?

Minimal

While the cast includes actors from various ethnic backgrounds like Erika Kamese, the narrative does not confirm the importance of these backgrounds. The story does not center around ethnic diversity.

How does 17 a mezzanotte represent religion and culture?

Minimal

The film does not offer any explicit evidence of anti-capitalist, anti-Western, or secularist themes. Its stance on traditional institutions remains speculative.

Does 17 a mezzanotte include disability representation?

Minimal

The film does not document any inclusion of characters with neurodevelopmental differences or physical disabilities. The focus on eerie stories does not ensure that these characters have significant control over their situations.

Present on Screen

The anthology format provides a structural opportunity for a wide variety of character types and diverse narratives.

Limited or Absent

The film lacks specific character arcs that demonstrate a commitment to representing multiple aspects of diversity.
There is no evidence of challenging traditional gender roles or familiar genre patterns.
The narrative fails to provide clear evidence of racial, cultural, or disability-driven ability to act.

Official Synopsis

17 creepy stories before midnight.

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