The film lacks any evidence of queer narratives or non-cisnormative identities. It adheres to the heteronormative storytelling conventions common in 1980s action cinema.

The story focuses on traditional masculine archetypes, following cowboys turned fighter pilots. There is no indication of female characters possessing high agency or subverting gender hierarchies.

The settings of the Old West and WWI often rely on homogeneous casting. The film shows no sign of race-bent casting or significant non-white agency.

The narrative operates within a standard Western adventure framework. It utilizes WWI as a backdrop for traditional heroism rather than critiquing Western institutions.

There is no discernible evidence of characters with visible or invisible disabilities within the film's premise.