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Plunging Hoofs

Name: Plunging Hoofs
Director: Henry MacRae
Released: 1929
Duration: 50 min

Representation Score

0.6/10

Minimal

1929

Passed

Director

Henry MacRae

Runtime

50 minutes

Average Rating

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New Showbiz Analysis

Plunging Hoofs is a conventional silent-era Western that relies heavily on established genre archetypes. The plot centers on a preacher and a dance hall girl, figures that serve traditional frontier narratives rather than offering social critique. The film adheres to the cinematic standards of 1929, prioritizing nature and character clichés. It lacks any visible attempt to subvert gender hierarchies or include diverse racial perspectives. Ultimately, the work functions as a period-typical Western, focusing on a rescue mission involving a wild horse rather than systemic or social disruption.

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Category Breakdown

Does Plunging Hoofs have LGBTQ+ representation?

Minimal

The film does not include any characters with LGBTQ+ identities. All characters conform to traditional roles.

How does Plunging Hoofs portray gender?

Limited

Nanette, a dance hall girl, is a female character. However, her role seems to follow traditional clichés of redemption or rescue.

How racially and ethnically diverse is Plunging Hoofs?

Minimal

The story focuses on Anglo-centric frontier archetypes. There is no indication of diverse racial or ethnic casting.

How does Plunging Hoofs represent religion and culture?

Limited

The story uses traditional Western iconography and religious figures. It follows established moral frameworks without challenging them.

Does Plunging Hoofs include disability representation?

Minimal

The synopsis does not mention any characters with visible or invisible disabilities.

Present on Screen

The film uses classic Western iconography and archetypes typical of the era.

Limited or Absent

The narrative lacks representation of LGBTQ+ identities or non-straight relationships.
There is a notable absence of racial and ethnic diversity among the characters.
The film does not feature characters with disabilities.
Female characters seem to follow traditional, non-subversive clichés.

Official Synopsis

Jed Campbell, a "skypilot," and Nanette, a dance hall girl, meet when each goes to rescue Rex, "King of the Wild Horses," from a trap.

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