The film lacks LGBTQ+ characters or narratives centered on non-cisnormative identities. The focus remains strictly on the professional and philosophical journey of the central subject.

The documentary maintains a traditional focus on a singular male protagonist. It lacks the intentional subversion of gender roles or diverse gendered perspectives needed for a higher score.

The film depicts a relatively homogeneous demographic typical of the mid-2000s British stand-up circuit. There is no evidence of intentional color-blind casting or a diverse cast.

The film earns moderate marks through its alignment with postmodernist values. Lee’s style critiques traditional social structures and mainstream entertainment comfort.

There are no visible or invisible disabilities portrayed with agency. No characters with disabilities are utilized as plot devices within the film.