
The Project
2021

2020
Director
Francesco Giannini
Runtime
80 minutes
Average Rating
No ratings yetSynopsis
When a hotel hallway is ravaged by a dreadful airborne virus, pregnant Japanese runaway wife Naomi is tragically thrust into the fight of her life. After getting infected, she is forced to crawl her way through other helpless victims to escape. In the room next door to her is Val, a mother trapped in a toxic marriage, who must also navigate her way out of the hotel corridor through the long and narrow stretch of isolated carnage, desperately looking for her young daughter Kelly. Will these two women avoid the debilitating sickness and get out alive?
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit depictions of LGBTQ+ identities or non-heteronormative relationships. The narrative focuses primarily on maternal bonds and marital dynamics.
Gender Representation
The story subverts horror tropes by centering female agency and resilience. Protagonists like Naomi and Val navigate survival through the lens of bodily vulnerability and domestic dysfunction.
Racial & Ethnic Diversity
Meaningful inclusion is achieved through Naomi, a Japanese protagonist. Centering a person of color in a high-agency survival role avoids common genre tropes.
Religious & Cultural Diversity
The film critiques traditional domestic structures by framing marriage and pregnancy as sites of struggle. It portrays these social roles as potentially oppressive or hazardous.
Disability Representation
The narrative explores physical vulnerability through a debilitating virus and the struggles of pregnancy. It focuses on the loss of bodily agency during a crisis.
Strengths
Areas for Improvement
AI Analysis
Hall shifts the horror genre's focus away from traditional masculine-led survival tropes. By centering a pregnant Japanese woman and a mother escaping a toxic marriage, the film prioritizes female psychological and physical resilience. The film succeeds in diversifying the protagonist archetype through ethnic inclusion and gendered agency. Naomi’s role as a central figure provides a necessary departure from the 'white savior' narratives often found in survival thrillers. However, the film remains limited in its exploration of queer identities and specific cultural or religious frameworks. The focus remains largely on biological and domestic survival rather than broader social or identity-based representation.

2021

2021

2020

2014

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2025

2021

2019

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2022

2010
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