The film relies on traditional heteronormative structures. The protagonist's motivations and interpersonal connections center on conventional romantic dynamics, with no non-cisnormative identities present.

The narrative operates within a heavily male-centric hierarchy. Women function primarily as peripheral figures or romantic anchors rather than active agents driving the central plot.

While set in a diverse London, the central power structures and primary cast remain predominantly white. The story does not prioritize the agency of characters of color.

The film presents a world of moral relativism and capitalist logic. It depicts criminal enterprises as professional pursuits navigating systemic corruption and existing power structures.

There is no significant focus on visible or invisible disabilities. Physicality is treated merely as a baseline requirement for the protagonist's survival.