You are here:

Dutch Kills

Name: Dutch Kills
Director: Joseph Mazzella
Released: 2015
Duration: 90 min

Representation Score

0.6/10

Minimal

2015

TV-MA

Director

Joseph Mazzella

Runtime

90 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Dutch Kills operates as a conventional crime thriller, heavily relying on established genre clichés. The narrative structure centers on masculine ability to act, particularly an ex-con doing a 'last job' to settle a family debt. The film adheres to traditional storytelling structures rather than challenging social hierarchies. The main conflict is driven by standard noir elements, such as criminal underworld dynamics and debt-driven desperation. Because the premise focuses on a male-centric crew and a female character acting as a plot catalyst, the film reinforces traditional gendered power dynamics.

Watch this, not that →

Category Breakdown

Does Dutch Kills have LGBTQ+ representation?

Minimal

The film does not include any characters who identify as LGBTQ+ or have non-cisgender identities. There are no narratives that challenge the idea that everyone is straight or cisgender.

How does Dutch Kills portray gender?

Limited

The story revolves around a male protagonist and a predominantly male crew. A female character drives the plot, but she is portrayed in a traditional role as a victim who needs rescuing.

How racially and ethnically diverse is Dutch Kills?

Minimal

The available information provides no data regarding the racial or ethnic composition of the cast. Consequently, no assessment of racial diversity can be made.

How does Dutch Kills represent religion and culture?

Fair

The film follows typical crime drama clichés, such as the criminal underworld and debt-driven conflicts. It does not offer unique cultural or anti-institutional messages.

Does Dutch Kills include disability representation?

Minimal

There is no information available about characters with physical or neurodivergent disabilities. The narrative focuses on crime and debt.

Present on Screen

The film employs a clear, classic crime-thriller framework that aligns with established genre expectations.

Limited or Absent

The narrative relies on traditional gender roles, positioning the female character primarily as a victim in need of rescue.
The story lacks depth, sticking to conventional male clichés of crime and debt.
There is a lack of visible representation for LGBTQ+ identities or diverse racial backgrounds.

Official Synopsis

A desperate ex-con is forced to gather his old crew for one last job to pay off his sister's debt to a dangerous local criminal.

How are these scores produced? →