
The Son of Robin Hood
1958

Representation Score
Minimal
1946
NRDirector
Henry Levin, George Sherman
Runtime
86 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film embodies the conventions of its time, presenting a traditional adventure narrative that relies on well-established formulas of heroism and romance. It focuses on the classic struggle for justice but does not intentionally disrupt traditional hierarchies or address identity-based power dynamics. Ultimately, the production reinforces the social norms of its era regarding gender, race, and social order, providing a sense of escapism rather than a critique of systemic oppression.
Category Breakdown
The film adheres to traditional assumptions about gender and sexuality, focusing on heterosexual relationships and excluding non-traditional gender identities or same-sex intimacy.
Male characters dominate the physical action and political rebellion, while the female lead remains in a reactive, romanticized role that upholds traditional gender hierarchies.
The cast lacks ethnic diversity, reflecting the production standards of the 1940s. There are no non-Anglo-Saxon characters in prominent roles.
The story addresses class struggle by depicting peasants fighting against corrupt nobles. It critiques the misuse of power through a traditional moral lens without challenging systemic issues.
The film does not include any representation of physical, sensory, or neurodivergent disabilities among the main characters or their arcs.
Present on Screen
Limited or Absent
Official Synopsis
Robin Hood's swashbuckling son comes to the rescue when England's boy-king is captured by the evil, power-hungry William of Pembroke.

1958

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1938
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