The anthology lacks any discernible LGBTQ+ characters or narratives. The focus remains strictly on the psychological and physical conflict between central male protagonists.

The narrative architecture is heavily centered on a male-dominated conflict. Female characters are largely absent or relegated to peripheral roles that do not challenge traditional hierarchies.

The diegetic world of Gotham City remains largely homogeneous. There is no significant evidence of diverse ethnic identities used to drive the plot.

The film adheres to a conventional hero-villain dichotomy. It avoids critiques of Western structures or the promotion of moral relativism in favor of traditional superhero morality.

Portrayals of psychological instability lean toward traditional tropes of madness. Characters with disabilities lack agency outside of their roles as antagonists or plot devices.