
Growing Up Female
1971

2020
TV-14Director
Hannah Rosenzweig, Wendy Sachs
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
A look at the record number of first-time female candidates who ran, won and upended politics in the historic 2018 midterm elections; featuring three candidates in Texas, Indiana and Illinois who each were looking to flip their red district to blue.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film explores shifting social tides that empower non-traditional identities. While it touches on the critique of heteronormative political structures, specific queer protagonists are not the primary focus.
Gender Representation
The documentary centers on women challenging male-dominated political environments. It prioritizes female intellect and leadership, effectively deconstructing the trope of the stable male leader through these candidates.
Racial & Ethnic Diversity
The narrative examines candidates navigating diverse demographic compositions in red districts. It suggests a movement toward more pluralistic and intersectional political representation.
Religious & Cultural Diversity
The film critiques established Western political institutions and long-standing norms. It frames the disruption of traditional party structures as a necessary evolution of the political status quo.
Disability Representation
There is insufficient evidence to evaluate how disability is depicted within this documentary.
Strengths
Areas for Improvement
AI Analysis
Surge provides a sophisticated look at institutional disruption by centering on the agency of female candidates. It moves beyond mere inclusion to show women as the primary architects of systemic political change. The film excels at deconstructing traditional power hierarchies. By focusing on the 2018 midterms, it highlights how female leadership can upend established political machines and reshape the American landscape. While the documentary is strong on gender, it offers less specific focus on individual queer identities or disability. The narrative remains primarily a study of political and gender-based systemic transitions.

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