
Obsession(s)
2010

2018
TV-PGDirector
Alexandre Carrière
Runtime
85 minutes
Average Rating
No ratings yetSynopsis
Allison and her daughter Abigail return to Allison's hometown after the death of Allison's beloved aunt. While there, they encounter Bart, a man who knew Allison when she was a teen. But Bart's friendliness soon turns into something more sinister.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film operates within a traditional heteronormative structure. The narrative focuses on a central relationship between a female protagonist and a male antagonist without exploring non-cisnormative identities.
Gender Representation
While the story features a female-led perspective through Allison and her daughter, it relies on conventional gendered power dynamics. The tension is driven by a masculine threat, reinforcing standard hunter and hunted tropes.
Racial & Ethnic Diversity
The setting suggests a homogeneous social structure typical of the genre. There is no evidence of diverse casting or characters of color possessing significant narrative agency.
Religious & Cultural Diversity
The plot centers on traditional familial and community structures, such as the return to a hometown. It lacks complex themes of moral relativism or systemic critique, favoring a binary moral framework.
Disability Representation
There is no indication of characters with visible or invisible disabilities. Disability does not appear to be utilized as a narrative device in this story.
Strengths
Areas for Improvement
AI Analysis
His Perfect Obsession functions as a conventional thriller that adheres strictly to established genre tropes. The storytelling architecture prioritizes a standard protagonist versus antagonist conflict rather than exploring intersectional identities or social complexities. The film lacks the narrative depth required to challenge traditional hierarchies. Instead, it relies on familiar frameworks of familial protection and masculine threats, resulting in a predictable social landscape. Ultimately, the production offers little in the way of progressive or subversive storytelling, remaining firmly rooted in mainstream, non-diverse narrative norms.

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