
Mole Man
2017

Representation Score
Good
2015
Director
Dan Rybicky, Aaron Wickenden
Runtime
85 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Almost There is a focused character study that prioritizes the lived experience of a underrepresented individual. It succeeds by providing a platform for a non-conforming perspective, specifically through its longitudinal look at an artist's struggle against isolation. However, the film lacks breadth in identity-based representation. It does not offer visible markers of LGBTQ+ or racial diversity, focusing instead on the singular, isolated experience of the protagonist. Ultimately, the film's strength lies in its narrative structure, which disrupts conventional expectations of success and social integration to highlight the friction between an individual and established structures.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or narratives. While it explores themes of social alienation, there is no overt representation of non-straight or non-cisgender identities.
The story focuses on a male protagonist named Peter Anton. While the film touches on elder care and social norms, it lacks strong roles for women who play a significant role in driving the story.
The setting seems localized and potentially homogeneous. There is no information confirming a multi-ethnic cast or a broad exploration of diverse racial backgrounds.
The film challenges traditional societal structures by centering an outsider artist. It critiques how institutionalized society treats individuals living on the periphery of social norms.
The documentary provides a complex study of an artist navigating debilitating conditions. It gives real power to the protagonist rather than relying on superficial clichés.
Present on Screen
Limited or Absent
Official Synopsis
A coming-of-(old)-age story about Peter Anton, an elderly "outsider" artist living in isolated and crippling conditions whose world changes when two filmmakers discover his work and storied past. Shot over eight years, ALMOST THERE documents Anton's first major exhibition and how the controversy it generates forces him to leave his childhood home. Each layer revealed reflects on the intersections of social norms, elder care, and artistic expression.

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