
The Eye 3: Infinity
2005

2018
Director
Kuan-Hui Lin
Runtime
109 minutes
Average Rating
No ratings yetSynopsis
Xiaogin transferred to the third school during his fifth year at high school. During the winter vacation, his grandparents tricked him into returning to the hotel which was founded by his parents. Xiaogin’s classmates Little Princess and Lu Qun tagged along uninvited to escape being bullied at school. While the three boys were temporarily staying at Xiaogin’s family hotel, they quickly found out that the hotel was in terrible shape and was also haunted. Xiaogin and his friends have developed an extremely close friendship while they are trying to step closer to the truth. Will they find out the secret that hides underneath the steaming hot springs?
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on the platonic bonds between the three central characters. There is no explicit mention of non-cisnormative identities or same-sex intimacy within the narrative.
Gender Representation
The plot is driven by a male-centric trio, though the character Little Princess is present. Her role is framed by escaping bullying, which may lean toward traditional tropes of vulnerability.
Racial & Ethnic Diversity
As a Taiwanese production, the film centers a non-Western cast and setting. This disrupts Western-centric horror tropes by exploring local folklore and regional geography.
Religious & Cultural Diversity
The story engages with the deconstruction of family institutions and inherited legacies. Characters must navigate the secrets hidden beneath traditional local landmarks like hot springs.
Disability Representation
There is no evidence of characters with visible or invisible disabilities in this story.
Strengths
Areas for Improvement
AI Analysis
Secrets in the Hot Spring offers a localized take on the horror-comedy genre, providing meaningful regional representation. By centering a non-Western perspective, it moves away from standard Hollywood horror frameworks. The narrative focuses on a collective of marginalized youths—students escaping bullying—who must reclaim agency within a decaying ancestral space. This provides a sense of empowerment despite the supernatural threats. However, the film lacks engagement with intersectional identity politics. It does not feature explicit LGBTQ+ themes or a diverse range of gendered roles, keeping the focus on a specific adolescent group.

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