You are here:

Curse of the Man Who Sees UFOs

Name: Curse of the Man Who Sees UFOs
Director: Justin Gaar
Released: 2016
Duration: 92 min

Representation Score

6.6/10

Good

2016

Not Rated

Director

Justin Gaar

Runtime

92 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The documentary functions as a character study of an individual operating outside conventional social and scientific norms. It succeeds in validating unconventional worldviews and alternative ways of knowing, providing a degree of cultural pluralism. However, the film lacks multi-layered breadth. The narrative is heavily centered on a male-centric experience and lacks visible representation of diverse racial, ethnic, or LGBTQ+ identities. Ultimately, while the film avoids traditional institutional authority, it does not demonstrate the intentional demographic diversity necessary for a higher progressive rating.

Watch this, not that →

Category Breakdown

Does Curse of the Man Who Sees UFOs have LGBTQ+ representation?

Fair

The film does not include explicit LGBTQ+ characters or narratives. The focus remains on the relationship between the filmmaker and his subject without addressing non-cisgender identities.

How does Curse of the Man Who Sees UFOs portray gender?

Fair

The narrative centers on a male-dominated dynamic between Christo Roppolo and Justin Gaar. There is no evidence of female involvement or the subversion of traditional gender roles.

How racially and ethnically diverse is Curse of the Man Who Sees UFOs?

Limited

The story follows a conventional biographical structure set in Monterey. It lacks evidence of non-white casting or the use of diverse ethnic perspectives within the narrative.

How does Curse of the Man Who Sees UFOs represent religion and culture?

Good

The film explores alternative spirituality by centering a worldview that challenges scientific consensus. This approach decenters traditional religious and secular-rationalist paradigms through the lens of alien contact.

Does Curse of the Man Who Sees UFOs include disability representation?

Fair

The subject's eccentricities may touch upon neurodivergent perspectives. However, it is unclear if these traits are treated with ability to act or used simply as plot devices.

Present on Screen

Promotes pluralistic understandings of reality by centering non-traditional spiritualities.
Challenges mainstream scientific skepticism and institutional frameworks through a subjective lens.

Limited or Absent

Lacks multi-layered breadth, particularly regarding racial and ethnic diversity.
The narrative remains heavily focused on a singular, male-centric experience.
Provides little to no visible representation of LGBTQ+ identities.

Official Synopsis

Christo Roppolo claims to have been videotaping and communicating with UFOs around Monterey, California, for several years. He contacted filmmaker, Justin Gaar, in 2013 to begin creating a film about his sightings. Skeptical of the footage but intrigued by Christo's eccentricities and wild stories, Justin begins spending time with Christo hunting UFOs along California's beautiful central coast. When a crop circle appears in Monterey County and becomes international news, Christo is validated in his belief of alien contact and Justin, shocked, begins investigating the source of the crop circle and how Christo knows beyond a doubt that he's being contacted by his "brothers from space."

How are these scores produced? →