
The Graduation Exercises
1935

2019
Director
Stéphane Aubier, Vincent Patar
Runtime
26 minutes
Average Rating
No ratings yetSynopsis
Indian and Cowboy finally pass their exams. Horse buys them tickets for the County Fair. But at the last moment, he slips and comes crashing down on his head. He wakes up with no idea where he hid the tickets. So begins a race against time for them two to find the passes before it's too late.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit depictions of same-sex intimacy or non-cisnormative identities. The character dynamics focus on a trio of companions navigating a physical comedy plot without queer subtext.
Gender Representation
The narrative centers on a male-coded or gender-neutral trio. There is no evidence of female characters demonstrating agency or the subversion of traditional gender hierarchies.
Racial & Ethnic Diversity
Character names like 'Indian' and 'Cowboy' suggest a framework built on Western frontier archetypes. These identifiers serve as shorthand for specific comedic tropes within the animation.
Religious & Cultural Diversity
The setting utilizes traditional Western motifs centered around a County Fair. The story prioritizes a standard comedic resolution over any critique of cultural institutions.
Disability Representation
A head injury and memory loss serve as the primary plot catalyst. This physical impairment functions as a device for slapstick comedy rather than a nuanced exploration of disability.
Strengths
Areas for Improvement
AI Analysis
The film operates within the constraints of traditional animated comedy, prioritizing kinetic energy and slapstick over social depth. Its characterizations rely heavily on established Western archetypes, which provides a recognizable framework but lacks progressive intersectional values. While the naming conventions suggest engagement with frontier themes, the narrative does not actively deconstruct these tropes. The focus remains on a localized, conventional setting and a race-against-time plot structure. Ultimately, the work is designed for comedic engagement rather than the intentional exploration of identity or social hierarchies. It functions as a genre piece that utilizes character impairments and archetypes as tools for humor.

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