The film focuses almost exclusively on the male protagonist and his relationship with Friday. It lacks explicit LGBTQ+ identities or non-heteronormative narratives.

Female agency is significantly lacking as the story centers on the male castaway's survival. Traditional gender hierarchies are rendered irrelevant by the island setting.

Casting a Black actor as Friday helps avoid rigid master-servant dynamics. The film disrupts conventional colonialist tropes by prioritizing surrealism over racial dominance.

Buñuel uses dream sequences to deconstruct religious iconography and Western social norms. The film portrays organized religion as a construct that loses meaning in isolation.

There is no significant evidence regarding the portrayal of physical or neurodivergent disabilities as central narrative drivers.