The film presents a strictly heteronormative narrative with no discernible LGBTQ+ characters or subtext. The cast consists entirely of cisgender heterosexual actors, reinforcing traditional relationship dynamics without challenging sexual or gender norms.

While Adèle Exarchopoulos plays a high-ranking agent, her agency remains reactive to male-driven plots. The narrative reinforces traditional hierarchies, positioning male characters as primary intellectual and action drivers while limiting female autonomy.

The cast is overwhelmingly white, failing to reflect Paris’s multicultural reality. Although class segregation is spatial rather than racial, the homogeneity misses opportunities to explore intersectional dynamics or systemic racism in this dystopian setting.

The film critiques Western technocratic capitalism and authoritarian state control through the ALMA AI system. It promotes a secular, algorithmic worldview that replaces traditional morality, offering a strong ideological critique of institutional power structures.

There is no representation of visible or invisible disabilities among the primary cast. Characters are depicted as physically capable and neurotypical, with no narrative focus on mental health or physical limitations, resulting in a complete absence of inclusion.