The film lacks explicit LGBTQ+ narratives or non-cisnormative identities. The story focuses strictly on the heteronormative, dysfunctional obsession between the two central protagonists.

Estelle is portrayed with significant sexual agency and psychological intensity rather than as a submissive interest. The film avoids traditional hierarchies by presenting the male lead as a passive subject to her volatile presence.

A North African backdrop introduces local populations that contrast with the Western tourists. However, these characters function mostly as atmospheric elements rather than active agents within the plot.

The narrative offers a sophisticated critique of Western institutions and capitalist-driven hedonism. It explores a spiritual vacuum where traditional social responsibilities are replaced by moral relativism and decay.

Themes of addiction and psychological breakdown are present but serve narrative nihilism. These elements focus on character destruction rather than a nuanced exploration of lived experience or mental health.